Livermore-Amador Symphony logo Livermore-Amador Symphony

Overview / History

Mission Statement

Our mission is to present musical programs of cultural and educational value for the benefit of the community and to encourage, stimulate, and support community interest in the musical arts.

Tax Status, Bylaws, Policies, Handbook, Financial Report

The Livermore-Amador Symphony Association is a 501(c)(3) organization.
(Tax ID 23-7001614.)

The LAS bylaws (2.3MB pdf) adopted in 2007 were revised most recently in October 2015, and the current LAS Guild bylaws (89K pdf) went into effect on July 1, 2016.

The current Orchestra Player Policy (202K pdf) was approved in August 2016, the second edition of a Musicians Handbook (102K pdf) was published in July 2016, and the Paid Musicians Policy (208K pdf) was revised in September 2015.

The annual financial report for fiscal year 2015–2016 (7/1/15 to 6/30/16) was reviewed by the Association’s financial review committee in November 2016.

Concert Season

The LAS concert season spans October through May or June. The season begins with a Pops concert produced by the Livermore-Amador Symphony Guild. More formal concerts follow each December, February, March or April, and May or June.

History

In 1963, women from the Livermore-Pleasanton branch of the American Association of University Women identified the need for an amateur orchestra in the Tri-Valley area (which is at the eastern edge of the San Francisco Bay Area). They became determined to establish a community orchestra with professional leadership. Rehearsals began that same year, with Keith Polk, a doctoral candidate in musicology at the University of California, Berkeley, as conductor.

The fledgling Livermore Symphony presented its first concert on January 25, 1964.

Within a few months, Keith Polk completed his doctorate and accepted a position with the University of New Hampshire. The LAS Board of Directors held interviews and selected a new conductor, Arthur Barnes, who was a doctoral candidate in musical arts and conducting at Stanford University in Palo Alto, California. While fostering the growth and development of the orchestra, Barnes completed his degree. Hired to teach at Stanford, Barnes continued to drive between Stanford and Livermore, an approximately 80-mile round trip. Years later, he retired from Stanford but not from LAS: Barnes continued as conductor and music director of the Symphony for 50 years after his acceptance of the position in 1964!

The Livermore Symphony Association incorporated in 1966 and authorized the contracting of a professional concertmaster and, as needed, the hiring of extra players. In 1971, the official name of the orchestra became the Livermore-Amador Symphony.

The Symphony Guild also was founded in the 1960s. The annual Competition for Young Musicians began in the early 1970s. LAS provided a pit orchestra and conductor for Valley Dance Theatre productions of the Nutcracker ballet each December from 1995 to 2013, and the LAS pit orchestra often played at VDT’s mid-year shows. (In 2014, Valley Dance Theatre formed its own pit orchestra; LAS horn player and former LAS assistant conductor Bob Williams continues as its conductor, and many of the musicians are also members of LAS.) LASYO, the Livermore-Amador Symphony Youth Orchestra, was founded in 2009. Göran Berg was the first conductor of this summer orchestra, assisted by Bob Williams in 2009 and by Kathy Boster in 2010. Berg and Boster were co-directors of the orchestra from 2010–2015. In 2016, Berg and Don Adkins were co-directors.

2012–2013 marked the memorable and celebratory 50th season of LAS. Have a look at our 50th-season page for highlights. 2013–2014 was the 50th season of Dr. Barnes’ tenure as conductor and music director. Lara Webber became conductor and music director of LAS upon the retirement of Barnes after the final concert of the 2013–2014 season. Barnes is now music director emeritus.

Collaborations and Affiliations

The Symphony collaborates with other musical groups and reaches out to youth. LAS has provided family and school concerts (this despite difficulties such as the limited availability of volunteer musicians during school hours and the need to limit the exposure of stringed instruments to direct sun!). A good example of collaboration was heard at the LAS concert in May 2013 (the culmination of the orchestra’s 50th season of concerts): A performance of Beethoven’s Symphony No. 9 included singers from the Valley Concert Chorale and Pacific Masterworks Chorus; in addition, singers from the community who attended rehearsals (and who could sing in tune!) were welcome to join the chorus.

The Symphony is a member of the Livermore Cultural Arts Council (LCAC), the Association of California Symphony Orchestras (ACSO), the League of American Orchestras, and the chambers of commerce of the cities of Livermore, Pleasanton, and Dublin, California.

Looking Ahead

Today, the orchestra comprises approximately sixty musicians, from teenagers to folks in the “65 sounds young” crowd. One member has played in the orchestra since its very first season!

This was stated in the booklet The First Twenty Years (1963–1983), but it’s still accurate: “The success of the orchestra is truly the work of many hands, both on stage and behind the scenes. The symphony looks forward to the future and the continuing opportunity to welcome listeners to the wonderful world of music.”

© Livermore-Amador Symphony Association

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